THE WIRE: Interview: The Art of Listening to Conversations
Monobina Gupta
Contemporary culture doesn’t court anonymity. Instead, there is constant pressure to produce imagery – images of ourselves, of others, of our moments of agony and joy.
PATRIKA: कोई बात कहना चाहते हैं, कह नहीं पाते हैं तो Change Room में शेयर करें अपनी कहानी
Vikas Verma
भोपाल लिटरेचर एंड आर्ट फेस्टिवल में ‘चेंज रूम’ के कॉन्सेप्ट लेकर आईं विजुअल आर्टिस्ट बारान इजलाल, बिना पहचान बताए शेयर कर सकते हैं अपनी कहानी
VERVE MAGAZINE: Top Picks From India Art Fair 2019
Ranjabati Das
Here’s a guide that aims to make one of South Asia’s biggest art fairs less intimidating
ARCHITECTURAL DIGEST: India Art Fair 2019: A Look at ‘Change Room’ by Baaraan Ijlal and ‘Postcards from Home’ by Manisha Gera Baswani
Avantika Bhuyan
Memories—some sepia-toned, infused with warmth and happiness, others grey, bitter and brittle. What if you could make these memories tactile by giving them a form, texture or a voice? Or lead to transference of emotion, across geographies and time?
LE MONDE: La « Change Room » de l’artiste Baaraan Ijlal sonde les peurs des Indiens
Par Julien Bouissou
La jeune femme a créé un espace garantissant l’anonymat et invité ses compatriotes à y verbaliser et enregistrer leurs peurs, souvent refoulées. Le résultat donne à voir une Inde cachée derrière les non-dits et les tabous.
SOUND::GENDER::FEMINISM::ACTIVISM CONFERENCE, 2019: Panel 1b Silence, Voice & Representation at the 2019 SGFA Tokyo conference.
When is sound free? When the night falls on a curfewed street, is the sound of the street free? When thoughts are censored even before they become words, is the sound of that place free?